Shotz - Chekhov Variations 176_Fb_1280_noWM

Directed By Alison Whismore

Featuring Christian Haines, Eden Neuendorf & Michael Catlett

        Darkness.  A miniature Starship Enterprise model (an ornament?) is suspended from fishing line.  One of the actors shines a flashlight on it while everyone sings the theme from the original Star Trek.

VOICE

     Space: the final frontier. These are the voyages of the starship Enterprise. Its five-minute mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before.

          Sounds of the Starship Enterprise.  Beeps.  Lights up.  Irina is green.  She wears gogo boots and a mini-skirt.  Kirk sits in the Captain’s chair.

KIRK

     Captains Log:  Stardate-

IRINA

     Captain-

KIRK

     Not now, baby, I’m doing the captain’s log thingy.  It’s important.

IRINA But-

KIRK

     Sugar, I told you, we have important exploration things to do and captain’s logs, and… stuff.  Where are Sulu and… ummm… the other one.

          Spock enters through doors.  He makes the sound himself when the doors open and close.  The doors are obviously cardboard covered in tin foil.

SPOCK

     Shhkah.  Shhkah.

KIRK
Spock.

SPOCK

     Captain.

KIRK
Spock.

SPOCK

     Captain.

KIRK
Spock-

IRINA

     Captain!  When will we reach-

KIRK

     Spock, where are Sulu and-?

SPOCK

     We lost contact with the Away Team-

IRINA

     We must get to Moscow.

          Kirk attempts to use communicator.

KIRK

     Captain to Away Team.  Captain to Away Team-

          Everyone lurches to the left. Alarms sound.

     What was that?  Scotty! Do you have a report?

IRINA

     We must work.  We must get to Moscow.

SCOTTY’S VOICE

     Captain!  We’ve been hit!

KIRK

     Torpedo?  Klingons or-

SCOTTY’S VOICE

     No, Captain, it’s…I don’t know how to explain it.  It’s a creature-

KIRK

     Damnit, Scotty, get us down to that planet!  I’m not leaving them-

SCOTTY’S VOICE

     I cannotdoit, Cap’n, we don’t have the power.  I’ll show you the damn beast, it hit the warp converter, fractured the dilithium crystals-

IRINA

     We don’t have time, we must get to Moscow!

KIRK

     Beam it to the bridge, Scotty!  I hope it’s not tribbles.

IRINA

     We took care of those.

          She indicates the fur hand warming muff like those used in Russia.  The cast makes the sound of the transporter.  A dead seagull lands downstage.

KIRK

     What the hell is it?

IRINA

     I am a seagull.  No, that’s not it.  I’m an actress portraying a seagull.  No that’s not it.  I’m an actress painted green-

          Kirk shakes her.

     We must work.  We must get to Moscow.

          Kirk shakes her again.

KIRK

     Get it together!

          Kirk uses his communicator.

     Bones!  Get down here.  We’ve got a feathered alien life form.  Possibly dangerous.

VOICE OF BONES

     Damnit, Jim!  I’m a doctor not an ornithologist!

KIRK

     What is it?!!!

IRINA

     It’s a seagull.

KIRK

     But why is it here, woman?

SPOCK

     Highly illogical.

IRINA

     No, it’s-

SPOCK

     These creatures live on earth.  They cannot survive away from water-

KIRK
Hence the name seagull, yes, Spock-

SPOCK

     A common misconception, Captain.  The seagull needs fresh water to survive.  And this seagull has been shot.  Which is strange, as guns require oxygen to fire and therefore could not be shot in space-

IRINA

     It’s a metaphor.  You guys are idiots.  Surely there are easier ways of getting my SAG card.

KIRK

     Have we heard from the away team?  Are they safe?  Have they been bombarded with vague aviary metaphors?

SPOCK

     We have not heard from them for hours, Captain.  They scanned for life and discovered an orchard of stone-fruit bearing trees.  One of them started coughing, his communicator cut out, and we haven’t heard from them since.

KIRK
Noooooo!  What color uniforms were they wearing? Don’t say…

SPOCK

      Red.

KIRK
Damnit.

IRINA

     We must get to-

KIRK

     If you say Moscow one more time, I will kill you. Can’t you just say “Moscow?”  Moscow.  So pretentious.

IRINA

     It’s supposed to be funny.  Fuck it.  Computer, fix me a Masha.

VOICE OF COMPUTER

     Here is your Masha.

          Replicator makes drink that looks like water with a black rim.

KIRK Masha?

IRINA

     Chilled vodka with a snuff rim.

Kirk

    That explains the black stuff.

IRINA

     I’m in mourning for my life.

          Irina drinks her shot.

KIRK

     When do we make out?

IRINA

     What?

KIRK

     It’s in my contract.  I get to make out with all green chicks.

IRINA

     Nope.  Not this episode.

KIRK

     It’s my prime directive, if you know what I mean…

IRINA

     You’re nauseating.  Can we please-

KIRK

     That’s not a tricorder in my pocket, I’m just happy to see you-

          Olga gets close to Kirk.  Sexy Star Trek music starts, she seems as though she will give in to his charms until she snags his phaser.

SPOCK

     Captain!

KIRK

     No.  How could you?

IRINA

     Consider this the Wrath of Van-ya.  I’ve set my phaser to Existential Angst and Russian Ennui.

SPOCK

     What do you want?

IRINA

     We will work.  Natasha is rearranging the holodecks, you will learn a trade.  Leave Sulu and Chekov on the planet-

          Kirk hurls himself toward Irina.  Suspense music!  Irina “phases” Spock and Kirk.

KIRK

     Darkness.  Samovars.  Years of drama school, wasted…

SPOCK

     Why?  Oh, God, what have I done with my life.

KIRK

     Please, don’t let it be true.  How could I become the voice of discount travel?

          Kirk stumbles off-stage.

IRINA

     Computer:  set coordinates for Moscow.

          Two gunshots heard off-stage.

SPOCK

     Highly illogical.

IRINA

     Engage.

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